Associate Artistic Director
FAVORITE SHAKESPEARE PLAY:
The Winter’s Tale
SHAKESPEARE CHARACTER THAT BEST DESCRIBES ME:
Sir Andrew Aguecheek
FAVORITE SHAKESPEARE QUOTE:
“Egypt, thou knew’st too well
My heart was to thy rudder tied by th’ strings,
And thou shouldst tow me after.”
FAVORITE PLAY THAT ISN’T BY SHAKESPEARE:
You Got Older by Clare Barron
ALL-TIME FAVORITE ASC MOMENT:
“The Infanta” number in All’s Well That Ends Well (2013).
Off-Broadway: The Tragedy of Romeo and Juliet (Shakespeare in the Square; Gym at Judson). Off-Off: Richard II (Robert Moss Theater), A Midsummer Night’s Dream (Access Theater / East Coast Tour), The Winter’s Tale, Beautiful Bodies (Stella Adler Studio; NYU Conservatory). Dan’s plays include Rocco, Chelsea, Adriana… (HERE Arts; dir. John Gould Rubin) and Fist in Mouth (Studio at Cherry Lane). Screenplays include Fritz Haber (Alfred P. Sloan Foundation Award and Grant) and Daughters of Erin (HHF Films). Residencies with Bedlam (“MadLAB”) and The Actors Studio (“The Playwright/Directors Unit”). Member of the 2014 LAByrinth Theater Intensive Ensemble, 2015 Shakespeare Society Ambassador Program, and 2018-2019 SDC Foundation Observership. Dan adapted and co-directed Hamlet in the Golden Vale (feature film; 2018) and King of Infinite Space (VR experience; 2018), produced by Roll the Bones with production support from “The Immersive Storytelling Studio” at The National Theatre (UK).