Alexander Sovronsky

Member of Actors’ Equity Association (AEA).

Previously with ASC:

Henry Clay, Cowboy, Citizen, ensemble, band in Bloody Bloody Andrew Jackson; Antonio, Captain in Twelfth Night; Albany, Curan in King Lear; Buckingham, Peter, Whitmore, Stafford’s Brother in The Rise of Queen Margaret (Henry VI, Part 2).


Musician, Cook, Cadet in Cyrano de Bergerac (Richard Rodgers Theater, New York, NY); Musician in Romeo & Juliet (New York Shakespeare Festival, The Public Theatre, New York, NY); Senator, Musician, Soldier in Othello (Theater For A New Audience, Brooklyn, NY); Musician in Bottom of the World (Atlantic Theater Company, New York, NY); Musician in Women Beware Women, Androgyno in Volpone (Red Bull Theater, New York, NY); Paris, The Prince in Romeo & Juliet, The Fool in King Lear, Guard in Marat/Sade, Murderer, Soldier in Macbeth (Classical Theater of Harlem, New York, NY); Le Beau, Amiens, Phebe in As You Like It (Happy Few Theater Company, New York, NY); Musician in The Little Prince (Hang A Tale, New York, NY); Ligniere, Cadet in Cyrano de Bergerac (Resonance Ensemble, New York, NY); Hamlet in Hamlet (Teatro Circulo, New York, NY/Teatro Franco Parenti in Milan, Italy); title role in Fiddler On The Roof (The Walnut Street Theater, Philadelphia, PA); Lord in Cymbeline (Shakespeare Theater of New Jersey, Madison, NJ); Buckingham, Captain Treville in The Three Musketeers (Connecticut Repertory Theater, Storrs, CT); Musician in Summer (The Wharton Salon, Lenox, MA); and seven seasons at Shakespeare & Company (Lenox, MA) where roles include Flute, Thisbe in A Midsummer Night’s Dream; Mortimer, Peto in Henry IV, Part 1 and 2; Fabian in Twelfth Night; Rosencrantz, Fortinbras in Hamlet; and Dumaine in All’s Well That Ends Well.


MFA from the Academy for Classical Acting at George Washington University & Shakespeare Theater Company. For more information, visit