Lee Fitzpatrick

Member of Actors’ Equity Association (AEA).


Rosalind in As You Like It; Paulina in The Winter’s Tale; Nurse in Romeo and Juliet; Ghost of Christmas Past in An American Christmas Carol: 1852.


Madeleine in Flight (Connelly Theater, NYC and The Center for Performance Experiment, Columbia, SC) and Anya in Gravity (Connelly Theater, NYC, Longstreet Theatre, Columbia, SC and Playhouse Theatre, Seattle, WA), both with Pacific Performance Project; Teresa, Janice in Italian American Reconciliation (Actors Theatre Louisville, B Street Theatre, Sacramento, CA); Muon Dancer in Quark Victory (Williamstown Theatre Festival/MASS MoCA); Portia in The Merchant of Venice (Island Stage and tour, San Juan Islands, WA); Cecily Cardew in The Importance of Being Earnest (American Stage, St. Petersburg, FL); Suzanne in Don’t Dress for Dinner (Beef & Boards, Indianapolis, IN); Camille Claudel in Salon Six (Ethnic Cultural Theater, Seattle, WA); Lyubov Ranevskaya in The Cherry Orchard (Penthouse Theatre, Seattle, WA).


A Gala Salute to Italy and the Americas (Carnegie Hall, NYC); Mary in Anniversary (Seattle Int’l Film Festival); The Backup Singer (The Non-Permanent Parliament); ACE Ethics Series (Pickerel Pie Entertainment.).


MFA in Acting, University of Washington; BA in Communication and Political Science, Boston College; Joseph Papp Public Theater/NYSF Shakespeare Lab; United Stuntmen’s Association Stunt School.