January 14 – April 1, 2016

An unblinking look into the way humanity confuses lust and love, goodness and self-righteousness, Measure for Measure explores who sins most in a congregation of murderers, pimps, politicians, whores, nuns, and nobles. Shakespeare’s electrifying exploration of the arrogance of power hovers tantalizingly between comedy and tragedy.

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Stuff that Happens
Stuff that Happens in the play
  • The Duke of Vienna, claiming urgent business abroad, leaves control of the city to his deputy Angelo.
  • Angelo swiftly restores old laws against sexual depravity, closes the city’s brothels, and arrests fornicators.
  • Claudio is immediately arrested and sentenced to death for apparent premarital acts with his pregnant fiancée, Juliet.
  • Claudio entreats his friend, Lucio, to find Isabella, Claudio’s sister, and ask her to plead to Angelo for Claudio’s life.
  • Though Isabella is about to become a nun, she agrees to petition Angelo.
  • The Duke, meanwhile, has disguised himself as a friar in order to observe Angelo’s management of the city.
  • Angelo, at first, refuses Isabella’s suit, but then agrees to stay Claudio’s execution — only if Isabella will consent to certain demands.
  • Isabella returns to Claudio to tell him of Angelo’s conditions; Claudio asks Isabella to save his life by giving in to Angelo’s requests.
  • The Duke, still disguised as a friar, decides to intervene.
  • Plots to rescue Isabella’s integrity, save Claudio’s head, and expose treachery ensue.
Dr. Ralph's Brief

1. When was the play first performed?
1603 or 1604.

2. Where was the play first performed?
At the Globe, which was situated in one of the areas of London notorious for its brothels, a fact that lends some humor to the pimp Pompey’s statement to the audience that, “I am as well acquainted here as I was in our house of profession; one would think it were Mistress Overdone’s own house, for here be many of her old customers.”

3. How does this play fit into Shakespeare’s career?
Shakespeare writes Measure for Measure after Hamlet, during a period when his plays look intensely and somewhat darkly at sexuality.

4. How is this play like Shakespeare’s other plays?
Measure for Measure is one of three plays (with All’s Well and Troilus and Cressida) that critics classify as “problem” plays. They do so because they find the subject matter in these plays and their outcomes inappropriate to comedy, a reaction that might merely mean the problem is that critics don’t see enough movies by the Coen brothers.

5. How is this play unlike other Shakespeare plays?
In its look at power politics, sexual hypocrisy, and the surveillance state Measure for Measure feels more contemporary than any of the other plays. It’s as if Vladimir Putin, Heidi Fleiss, and Edward Snowden had collaborated on a script for an episode of Orange Is the New Black.

6. What do scholars think about this play?
They admire it and find it a particularly interesting look at London’s underbelly (though the setting is ostensibly Vienna). Editors debate how much of the play might have been written by Middleton, and literary and performance critics debate how to read Isabella’s silence at the end of the play.

7. Does any controversy surround the work?
The play has always been controversial for its sexual content. A Spanish monk who was striking through bawdy lines in Shakespeare’s other plays, faced with all the sexual material in Measure for Measure, simply cut the entire play out of his copy of the Folio. In terms of its stage history, for centuries the play was either adapted into a PG script or ignored altogether.

8. What characters should I especially look for?
Barnadine, the condemned murderer. He only appears once in Act Four, but his illustration of the existential “no” is something that Jean Paul Sartre would be proud to have written.

9. What scene should I especially look for?
Certainly the most immediately disturbing scene is the one in which Angelo asks Isabella for her “love” in exchange for her brother’s life. This kind of “measure for measure” plays its way through the work to emerge – also disturbingly – in the play’s ending.

10. What is the language like?
Dense, rich in euphemism and full of entertaining colloquialism, translated for your theatrical pleasure – as it was for its first audiences – by the talent of actors.